KEYNOTE #1
Jayna Brown — A Fierce Organicism: Ecologies of Enmeshment in Speculative Sound and Art
Panel 1 — ASIGNIFICANCE
Bethany Doane — The Scream is a Signal: Occult Anti-Hermeneutics
Trace Reddell — Decoding the Sonic Xenomorph
Katherine Behar — What Sense Makes: From Sensors to the Production of Cryptographic Consciousness
Panel 2 — SPECULATIVE EMPTINESS
Jasmine Shadrack — The Howl of the Wolf Tone: Void Harmonics and Occultizing Entropy
Nicola Masciandaro — Marvelous Harmony: On Christina the Astonishing — Part III: Sounding
Panel 3 — VOICES, FACES, BODIES
N. Adriana Knouf — Notes toward Xenomogrifcation
Germán Sierra — The Poetics of Non-biology
Panel 4 — HISTORIES & HYPERSTITIONS
Jacquelene Drinkall — Radical Listening and Improvised Telepathy Aesthetics (after Pauline Oliveros, Sun Ra and Gianni Motti)
Patrick Kindig — On Occult Amulets and Decadent Aesthetics
Julian Gill-Peterson — Greer Lankton’s Living Room; or, the Occulting of Trans History
Panel 5 — IMPOSSIBILITIES
Steven Nathaniel — Geophonic Listening and the (Occulted) First World War
Sandra Huber — Villains, Ghosts, and Roses, or, How to Speak with the Dead
Anne Delgado — Death-Defying Acts and the “’Sister Art of Magic’”
Panel 6 — POLITICS
Daniel Lukes — Bad Rainbows: Queerness, Fascism, and Counterculture
G. Doug Barrett — How We Were Never (Post-)Human: Techniques of the Posthuman Body in Pamela Z’s Voci.
Panel 7 — THE OCCULTURE
David Cecchetto — Dataphasic Inversions
Marc Couroux — the extra_musical
Ted Hiebert — When Thought Insults Itself
Rebekah Sheldon — Good Vibes
KEYNOTE #2
Joyelle McSweeney — Dark Sonics
Panel 8 — RESONANCES, VIBRATIONS, & TIME
Phil Ford — Here Time Becomes Space: Resonance and Diviner’s Time
Taylor Adkins and Joseph Weissman — Musiconomy and Morphogenesis: Refrains of Culture, Crystals of Time
Jonathan Scott Lee — Becoming-Cicada-Becoming-Imperceptible: Toward a Hermetic Account of Music
Panel 9 — TRACES
Jonathan Elmer — Making a Sensation
Émile Fromet de Rosnay—A Love Singular
Sam Martin — Palaeohauntological Lithophonics